Race Matters / Redfern Renaissance

26.01.25
Angeline penrith stands stanuchly and tall in front of a brick wall painted with the Aboriginal Flag
Aired on 26.01.25, 10:00am

“I’m a child of the revolution” 

Theatre as protest, storytelling as weapon. Fifty two years since the inception of Black Theatre - the subversive art form that spoke back to the colony and incited the beginning of community controlled services; resonates to this day. We’re so honoured to be speaking with Angeline Penrith, the creative director and curator of Redfern Renaissance. Angeline is a Wiradjuri & Yuin actor and story teller, a proud Redfern local and from a trailblazing family of activists and storytellers.

Show up, everyday for First Nations resistance

Black Caucus - mutual aid and local actions

Action for Public Housing - resisting gentrification of Redfern, fighting for housing rights

Black Peoples Union - revolutionary organisation that pursuing full self-determination and Sovereignty

Survival Guide on Radio Skid Row - archive of conversations hosted by Joel Spring and Lorna Munro on the history of Black resistance and the destruction from gentrification, in Redfern.

Pay the rent

Black Caucus - mutual aid funds

Deadly Connections

Decolonise Sex Work - mutual aid funds

Grandmothers Against Removal NSW

Stop Black Deaths in Custody content note for names and images of deceased peoples

This episode was collaboratively produced, hosted and edited by Alicia Zhao and Shareeka Helaluddin.

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Tracklist

Wungunja Warriors
Australia
On the Shoulders
e fishpool
Australia
DRUM SONG
Angeline Penrith
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Wiradjuri & Yuin artist, actor and storyteller on growing up in Redfern, the heart of black radical tradition
James Brown
Say It Loud - I’m Black And I’m Proud
Angeline Penrith
Interview
Wiradjuri & Yuin storyteller and Creative Director of Redfern Renaissance, on her family's roots in the very first forms of Blak theatre and what it's been like to bring them back to life.
Kaiit
NSW
Space
Nina Simone - An Artist's Duty
Angeline Penrith
Interview
52 years on since the beginnings of black theatre, the stories still resonate and its urgency feels powerful even today, Angeline shares her hopes of where this work can lead us